![]() ![]() Most of the presets use the shimmer effect, which you may not want, but that is easily turned off. The Venus Theory / Flashbulb (Benn Jordan) IR pack Underworlds would be up your street I reckon.Īlteza is a great choice for very long ambient reverb. Highest Rated Reviews of 2 gorgeous interstellar reverb, love it By Chris Chamberlain from Los Angeles on DecemMusic Background: composer, singer, songwriter previous long time H3000 D/SE owner, this plugin reminds one of the 3000s many mind blowing reverbs. Maybe search for 'ambient impulse response' or 'long impulse responses'. There will also be lots of paid IRs available. Not sure offhand what the limit is for Thafknar. Only thing about Altispace 2 is the 15 second time limit for those wav files. A powerful multi-reverb pedal, the Blackhole will suck you in with its incredible ambient algorithms - taking your guitar tone to another dimension Equipped with 5 ethereal sounds, a multitude of effect-tweaking controls, and a Freeze feedback. There are tons of interesting free ones available, many of which are HUGE. The Blackhole is the latest mind-warping stompbox from digital effects specialists Eventide. You can then look around the Internet for IRs. Thafknar is OK but I personally prefer Altispace 2 by a long way. One option would be to get a convolution reverb if you don't have one already. I don't know much about Valhalla as I stick to iOS. ![]() I have BlackHole and Crystalline, but looking for something Valhalla-like. What are the best reverbs available today, for someone looking for massive reverb. I'm sure they are great but also don't know if my ears are tuned in enough to be able to spot all the differences. ![]() Thanks for this info! I've wanted Valhalla effects for awhile but honestly just cannot justify the expense (yes, I know they are not expensive for good reverbs) but I have so many other effects and reverbs on the desktop. the blog is probably still around and is interesting if you're a fan of early reverbs, pitch shifters, digital processors, etc. also, lots of information on very early digital processors. Sean had a blog, before the release of shimmer, describing some of his process in creating this effect. Most recognise this as the sound of The Edge (U2 produced by Eno/Lanois), and refer to it as shimmer. Though I've never spoken with Sean Costello, I believe Valhalla Shimmer was created to emulate a process that Eno and Lanois experimented with reverb, delay, feedback, pitch shifting. pitch shift isn't used in the Blackhole algo, at least not in the way it is used in Shimmer.Īll of the Valhalla processors are very good/useful. Ich bilde mir immer ein, dass die Hardware noch etwas mehr 3D klingt um endlich auch mal diese abgedroschene Beschreibung verwendet zu haben -) Ist hier aber echt vernachlässigbar.Īlles in allem - wer auf schöne Ambient-Wölkchen und "Larger than live"-Reverbs steht, bekommt hier Ur-Vater dieses Genres für kleines Geld.They are very different. Das macht Blackhole ganz hervorragend und Eventide-typisch bleibt der Gesamtsound immer luftig und unaufdringlich, was man nicht unbedingt von jedem Kunsthall sagen kann.ĭa ich auch eine Eventide Eclipse-Hardware besitze und den Algorithmus zudem fürs iPad schon hatte, habe ich vor dem Kauf des Plugins auch einen Hörvergleich gemacht und bin der Meinung, dass alles ziemlich identisch klingt. hier will man gar nicht erst realistischen Hall erzeugen sondern Sounds "aufblasen" oder schöne Ambient-Flächen erzeugen. Was sind das denn für tolle Zeiten für Musikproduzierende? Musste man früher Unsummen für sauteure Eventide-Hardware ausgeben, bekommt man deren Algorithmen heutzutage für kleines Geld und kann den Effekt auch noch so oft einsetzen, wie der Rechner es zulässt.ĭer Blackhole-Reverb ist ein sehr typischer Eventide Sound, den es auch schon ewig in den Hardware-Geräten gibt und der eher als "kreativer Hall" zu verstehen ist. ![]()
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